Ceramics museum features eclectic exhibits

The “Hot! & Ready to Serve” exhibit at the American Museum of Ceramic Art in Pomona runs through Sept. 28. The exhibition examines the extensive history of practical ceramics. / photo by Baljot Rathor
The “Hot and Ready to Serve” exhibit at the American Museum of Ceramic Art in Pomona runs through Sept. 28. The exhibition examines the extensive history of practical ceramics. / photo by Baljot Rathor

Margaret Contreras
Editor-in-Chief

The exhibits “In Their Hands: The Evolution of Mata Ortiz Pottery,” “Hot and Ready to Serve,” and “Making In Between: Indigenous Americans,” all currently on display at the American Museum of Ceramic Art in Pomona, range from utilitarian ceramics to sculptures that make a political statement. 

“Hot and Ready to Serve,” located on the main floor and running through Sept. 28, features ceramic works including mini salt and paper shakers, interesting tea sets, plates of different shapes and uses and more. The various colorful pieces in this exhibit also include an old fashioned typewriter, a rotary phone, ceramic lettuce and more.

Ultra California is a dinnerware line showcased in the “Hot! & Ready to Serve” exhibition at the American Museum of Ceramic Art in Pomona, which was introduced around 1938. Production of these ceramics continued up until 1942. / photo by Baljot Rathor
Ultra California is a dinnerware line showcased in the “Hot and Ready to Serve” exhibition at the American Museum of Ceramic Art in Pomona, which was introduced around 1938. Production of these ceramics continued up until 1942. / photo by Baljot Rathor

“The ‘Hot and Ready’ was an exhibit made with items we had here at the museum already,” MudMobile instructor Samuel Reguerra said.

Mary Labrucherie, a La Verne alumna and retired teacher, was viewing the AMOCA exhibits last weekend with her cousin, Mimi Labrucherie. 

“This would be a good place to take photos of the exhibits – and have fifth graders see a photo slide to see what names they would give them,” Mary Labrucherie said. 

On the main floor in the Igal and Diane Silber vault gallery, “In Their Hands: The Evolution of Mata Ortiz Pottery” runs through Nov. 23. Within the vault the lavender walls showcase handmade, intricate ceramics.

“During the summer we have an intern from the Getty Foundation that put the Mata Ortiz exhibit together,” said museum store and guest services manager Melissa Scrivner.

One side of the wall shows the steps Ortiz took to create the pieces featured: From finding the clay to firing it in the kiln. 

“In Their Hands: The Evolution of Mata Ortiz Pottery,” which runs through Nov. 23 at the American Museum of Ceramic Art in Pomona, tells the story of how a small northern Mexican town turned traditional Mogollon customs into a flourishing modern ceramic movement. Every piece showcases community knowledge, cultural endurance and creatively reinventing forms that date back thousands of years. / photo by Baljot Rathor
“In Their Hands: The Evolution of Mata Ortiz Pottery,” which runs through Nov. 23 at the American Museum of Ceramic Art in Pomona, tells the story of how a small northern Mexican town turned traditional Mogollon customs into a flourishing modern ceramic movement. Every piece showcases community knowledge, cultural endurance and creatively reinventing forms that date back thousands of years. / photo by Baljot Rathor

“There are historical pieces, there are contemporary pieces, there are whimsical pieces, there are functional, there are some pieces that are non functional,” Mimi Labrucherie said. “There’s just a little bit of everything.” 

Ortiz’s works were brown, black, white and multi-color earth tones. One piece called Oso Effigy was of a bear with a fish in its mouth. The body of the bear had intricate designs visible when a light shined on it. 

The “Making In Between: Indigenous Americans” exhibit runs through Nov. 30. It explores identity, culture and community. 

The “Making in Between: Indigenous Americans Work” exhibit, curated by Mercedes Dorame, at the American Museum of Ceramic Art in Pomona runs until Nov. 30. It is the third and last exhibition in AMOCA's "Making in Between" series, which features artwork by artists who address community, culture and identity. / photo by Baljot Rathor
The “Making in Between: Indigenous Americans Work” exhibit, curated by Mercedes Dorame, at the American Museum of Ceramic Art in Pomona runs until Nov. 30. It is the third and last exhibition in AMOCA’s “Making in Between” series, which features artwork by artists who address community, culture and identity. / photo by Baljot Rathor

It features works by Mercedes Dorame, Anita Fields, Courtney M. Leonard and Cannupa Hanska Luger, whose works explore boundary-pushing themes. There is a sculpture of a snake made out of tires and gasoline nozzles and there are two warriors. 

Scrivner explained the name of the artwork, “This is Not a Serpent.” 

“The piece is about the Dakota’s pipeline protest,” Scivner said. “The sculpture is made with things that have to do with the oil industry. And the warriors are the embodiment of the protester.”

AMOCA, at 399 N. Garey Ave., is  open from 11 a.m. to 4 p.m., Friday through Sunday.

For more information, visit amoca.org.

Margaret Contreras can be reached at margaret.contreras@laverne.edu

The 30 cups in the “Democratic Cup Project” at the American Museum of Ceramic Art in Pomona were created by Americans seeking to protest the Trump Administration’s attacks on civil rights and freedoms. Launched in 2016, the project aimed to inspire individuals to engage more actively in democracy and to encourage civic participation through artistic expression. / photo by Baljot Rathor
The 30 cups in the “Democratic Cup Project” at the American Museum of Ceramic Art in Pomona were created by Americans seeking to protest the Trump Administration’s attacks on civil rights and freedoms. Launched in 2016, the project aimed to inspire individuals to engage more actively in democracy and to encourage civic participation through artistic expression. / photo by Baljot Rathor
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Magaret Contreras is a senior communications major with a concentration in public relations. She is editorial director and LV Life editor of the Campus Times and previously worked as editor-in-chief and a staff writer.

Bajot Rathor is a senior organizational management major with a concentration in leadership and management, along with minors in photography and American law. She is a staff photographer for the Campus Times and La Verne Magazine.

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