Tim Burton delivers a new and improved live-action re-imagining of the original 1941 Disney classic “Dumbo.”
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Sex, drugs and rock ‘n’ roll. Those three indulgences sum up the lives of rock stars, particularly in the world of 1980s heavy metal.
Jordan Peele, who has become a mastermind creator of modern horror films after his 2017 movie “Get Out,” does not disappoint with his latest film “Us.” The film depicts a horrific and gory view into people’s worst enemies: themselves.
“Captain Marvel,” tells an inspiring, fierce and powerful story of a woman superhero in an unseen time period in the Marvel Cinematic Universe.
Like some mid-20th Century white families vacationing via road trips with maps and yellow pages, African-Americans used the Green Book, published from 1936-1966, to find establishments that were welcoming to non-white tourists and travelers.
Art, horror, critique and satire collide in director Dan Gilroy’s latest film “Velvet Buzzsaw.” Gilroy, who directed “Nightcrawler,” pairs with Jake Gyllenhaal for a second time to critique the internal politics of the art world and the archetype of the tortured artist.
“The Crimes of Grindelwald” fills theaters with magic, monsters, 1920s-era glamour and action in a follow-up film to the “Fantastic Beasts” franchise, brought to us by the queen of witchcraft and wizardry herself, J.K. Rowling.
“Beautiful Boy” is a film based on the pair of best-selling addiction memoirs, “Beautiful Boy” by David Sheff and “Tweak” by his son, Nic Sheff.
An astrophysicist, a dentist, and an electrical engineer walk into a bar and meet a young Parsi with a four-octave vocal range.
Bradley Cooper and Lady Gaga make a grandiose splash onto the big screen for the fourth remake of “A Star Is Born.”